CV

c o n t a c t :  henrique@msu.edu

w e b s i t e :  www.alisahenriquez.com

b o r n :   Kingston, Jamaica

 

e d u c a t i o n

 

Indiana University, Bloomington, IN, Master of Fine Arts in Painting, 1993

Rhode Island School of Design, Providence, RI, Bachelor of Fine Arts in Painting, 1988

Yale Summer School of Music & Art, Norfolk, CT, 1987

Emily Carr College of Art + Design, Vancouver, BC, 1983-1985

 

e x h i b i t i o n s   ( select solo + small group)

 

Solo Exhibition, A.I.R. Gallery, Brooklyn NY, (scheduled 2019)

Fractured Beauty, Three Person Exhibition, David Klein Gallery, Detroit, MI, 2019

Alisa Henriquez, Laura and Paul Mesaros Galleries, West Virginia University, Morgantown, WV, 2018

Alisa Henriquez, Solo Exhibition, Pearl Conrad Gallery, The Ohio State University, Mansfield, OH, 2017

The Constructed Body, Solo Exhibition, University of Maine Museum of Art, Bangor, ME, 2016

Makeover Culture Disfigured, Solo Exhibition, The Painting Center, New York, NY, 2016                                                                   

Floaters, Solo Exhibition, A.I.R. Gallery, Brooklyn, NY, 2015

sometimes | always | never, Two-person Exhibition, Elon University, Elon, NC, 2014

Consumption, Solo Exhibition, Dittmar Memorial Gallery, Northwestern University, Evanston, IL, 2012

Woman I, Solo Installation, South Gallery, Urban Institute of Contemporary Art, Grand Rapids, MI, 2011

Popular Culture Re-Constructed, Memorial Hall Painting Gallery, Rhode Island School of Design, Providence, RI, 2010

86.28 Miles, Detroit Industrial Projects, Detroit, MI, 2008

Flattened, Evanston Art Center, Evanston, IL, 2006

Alisa Henriquez and Sergio De Giusti, District Arts Gallery, Birmingham, MI, 2005

Social Patterns, Fine Arts Gallery, Northeastern Illinois University, Chicago, IL, 2003

The Consuming Image: New Painterly Pop, Jacksonville Museum of Modern Art, Jacksonville, FL, 2002

Inaugural Exhibition, Featured Artist, Arena Gallery, Chicago, IL, 2000

Annex Abstract Show, Buschlen Mowatt Gallery, Vancouver, BC, 2000

2’ x 2’ Show, Buschlen Mowatt Gallery, Vancouver, BC, 2000

Alisa Henriquez: Recent Paintings, Solo Exhibition, Gallery 138, Kent State University, Kent, OH, 1999

Alisa Henriquez: Encoded Patterns, Solo Exhibition, ARC Gallery, Chicago, IL, 1998

What Remains, Bevier Gallery, Rochester Institute of Technology, Rochester, NY, 1998

Alisa Henriquez: Recent Paintings, Solo Exhibition, University of Illinois at Chicago, Chicago, IL, 1997

Holding Forth, Buckham Gallery, Flint, MI, 1996

Alisa Henriquez and Thomas Berding, Emison Art Center, Depauw University,Greencastle, IN, 1996

Alisa Henriquez and Margaret Meade-Turnbull, Otherwise Gallery, Lansing, MI, 1995

Struct, Gallery 28, New England School of Art and Design, Boston, MA, 1994

Three Person Exhibition, William Woods College, Fulton, MO, 1990

 

g r o u p   e x h i b i t i o n s   ( select )

 

Facing Disjunction: National Artists Exhibition, A.I.R. Gallery, Brooklyn, NY, 2018

Gathering Differences: National Artists Exhibition, A.I.R. Gallery, Brooklyn NY, 2017

Cooperative Conciousness - Works From A.I.R., Kochi Muziris Biennale, Kochi, India, 2016

Expats, Indianapolis Art Center, Marilyn K. Glick School of Art, Indianapolis, IN, 2016

Biennial 28 Exhibition, South Bend Museum of Art, South Bend, IN, 2015

Disconnected, The Difiore Center, St. George, UT, 2015

Tidal Shifts, Triennial Faculty Exhibition, Eli and Edythe Broad Art Museum, East Lansing, MI, 2015

A.I.R. ReFreshed, Travelling Exhibition, Noland Park, House 5B, Governors Island, NY, 2015

A.I.R. ReFreshed, Travelling Exhibition, Washington University, St. Louis, MO, 2015

Ley Lines: Crossing Media with Cultural Conversations, Group Exhibition,

University of Wyoming Art Museum, Laramie, WY, 2015

Transformed Viewpoints, AIR Gallery, Brooklyn NY, scheduled 2015

A.I.R. ReFreshed, Department of Gender and Sexuality Studies, Princeton University, Princeton, NJ, 2015

21 and Counting: The Painting Center Turns 21, Group Exhibition The Painting Center, New York, NY 2014

Nexus: From Handmade to High Tech, Sarasota Arts Center, Sarasota, FL, 2014

A.I.R. ReFreshed, Travelling Exhibition, A’Dor Gallery, San Francisco, CA, 2014

A.I.R ReFreshed, Travelling Exhibition, Ground Floor Gallery, Nashville, TN, 2014

Liminal Communities, A.I.R. Gallery, Brooklyn, NY, 2014

Disconnect, The Target Gallery, Torpedo Factory Art Center, Alexandria, VA, 2013

frag-ment, A.I.R. Gallery, Brooklyn, NY, 2013

Mid-American College Art Association Members Juried Exhibition, Elaine L. Jacob Gallery,

Wayne State University, Detroit, MI 2012

American Dream, Gallery Project, Ann Arbor, MI, 2012

Drawing Resurfaced, Stewart Center Gallery, Purdue University, West Lafayette, IN, 2011

Extreme(s), Gallery Project, Ann Arbor, MI, 2011

75th Mid-Year Exhibition, Butler Institute of American Art, Youngstown, OH, 2011

Drawing in the Expanded Field, Hatton Gallery, Colorado State University, Fort Collins, CO, 2010

Contemporary Collage and Assemblage, Manifest Creative Research Gallery, Cincinnati, OH, 2010

Obsession, Gallery Project, Ann Arbor, MI, 2009

Summer Exhibition, District Arts Gallery, Birmingham, MI, 2005

Michigan Master Painters, Delta College, Delta MI, 2005

Open Ended, Moreau Galleries, Saint Mary’s College, Notre Dame, IN, 2002

Collage/Assemblage/Montage, Pennsylvania School of Art and Design, Lancaster, PA, 2002

October International Competition, The Armory Art Center, West Palm Beach, FL, 2001

LaGrange National Biennial, Chattahoochee Valley Art Museum, LaGrange, GA, 2000

Michigan State University Traveling Exhibition, Port Elizabeth Technikon, Pretoria, South Africa, 2000

Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI, 1999

Poly Grams, Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, 1999

62nd Annual Midyear Exhibition, Butler Institute of American Art, Youngstown, OH, 1998

Chicago Artists 1997, Gallery 312, Chicago, IL, 1997

10TH Annual Northern National Art Competition, The LRC Gallery, Nicolet College, Rhinelander, WI, 1997

Contemporary Art Workshop, Chicago, IL, 1995

Group Exhibition, Otherwise Gallery, Lansing, MI, 1994

MFA Thesis Exhibition, Fine Arts Gallery, Indiana University, Bloomington, IN, 1993

Graduate Painting Exhibition, Fine Arts Gallery, Indiana University, Bloomington, IN, 1992

Big Ten University Conference Center Exhibition, Chicago Conference Center, Chicago, IL, 1991

Drawing Invitational, Drury College, Springfield, MO, 1990

Springfield Area Artist Exhibition, Springfield Art Museum, Springfield, MO, 1990

MOAK crafts, Springfield Art Museum, Springfield, MO, 1990     

Regional Exhibition, Springfield Art Museum, Springfield, MO, 1990

Painting & Drawing Exhibition, Jordan Creek Art Gallery, Springfield, MO, 1989

BFA Thesis Exhibition, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI

Painting Exhibition, Yale Summer School of Music & Art, Norfolk, CT, 1987

Mixed Media Exhibition, List Gallery, Brown University, Providence, RI, 1987

Painting & Drawing Exhibition, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI, 1987

Painting & Drawing Exhibition, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI, 1986

Fleet National Bank Painting Exhibition, Fleet National Bank, Providence, RI, 1986

 

p u b l i c   a r t   c o m m i s s i o n

 

Union Engagement Center, Student Union, Michigan State University, East Lansing, M

 

g a l l e r y   r e p r e s e n t a t i o n   +   r e g i s t r i e s

 

A.I.R. Gallery, Brooklyn, NY, 2012-present

The Painting Center Registry, Curated On-Line Resource, New York, NY, 2012-present

The Drawing Center Registry, Curated On-Line Resource, New York, NY, 2007-present

City of Chicago Registry, Department of Cultural Affairs Public Art Program, Chicago, IL, 2002-2007

District Arts Gallery, Birmingham, Detroit, MI, 2005-2006

Buschlen Mowatt Gallery, Vancouver, BC, 2000-2002

Arena Gallery, Chicago, IL, 2000-2002

 

b i b l i o g r a p h y

 

Facing Disjunction: Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY, Essay, Facing Disjunction: Making Sense of a Fragmented World, by Judith Tolnick Champa (inclusion: one color image), 2018

 

Gathering Differences: National Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY, 2017 (inclusion:one color image)

 

Cooperative Conciousness - Work From A.I.R., Exhibition Catalogue, Kochi-Muzirus Biennale, Kochi, India. Essay by Kathryn Meyers, Professor of Art, University of Connecticut 2016 (inclusion: one color image)

 

“Alisa Henriquez at the University of Maine Art”, Artdeal Magazine, Review by Addison Parks; Contributing writer, ARTS Magazine and Christian Science Monitor, 2016 (inclusion 5 color images)

 

In the Secret Garden: National Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Rocío Aranda-Alvarado, Senior Curator, El Museo del Barrio, 2016 (inclusion: one color image)

 

“Artist spotlight: Alisa Henriquez”, Examiner.com, May 16, 2016, Denver, CO. Interview by Meagan Meehan, http://www.examiner.com/article/artist-spotlight-alisa-henriquez, 2016(inclusion: interview with ten color images)

 

“Partners in life and art”, Bangor Daily News, May 12, 2016, Bangor, MN. Review by Shelby Hartin, 2016

 

Alisa Henriquez: Assemblages 2014-2016, Exhibition Catalogue, The Painting Center, New York, NY and Maine Museum of Art, Bangor MN. Essay by Alison Gass, Associate Director for Exhibitions, Collections and Curatorial Affairs, Cantor Arts Center, Stanford University, 2016 (inclusion: twenty-three color plates)

 

Biennial 28, Exhibition Catalog, South Bend Museum of Art, South Bend, IN. Essay by Curator Staci Boris; Chief Curator, The Andy Warhol Museum, 2015 (inclusion: one color plate)

 

“Floating Identity”, Border Crossings Magazine, Volume 34, Number 2, Issue 134, May 2015, Winnipeg, MB. Review by Robert Enright, Founder and Editor, Border Crossings Magazine, Research Chair in Art Criticism, University of Guelph, contributing writer; ARTnews, Modern Painters, Art Review, and the Globe and Mail, 2015 (Inclusion: 3 color plates)

 

“3 Can’t Miss Art Exhibits This Week NYC”, Remezcla, March 2, 2015, Barbara Calderon-Douglass, New York, NY, 2015, http://remezcla.com/lists/3-cant-miss-latino-art-exhibits-nyc-march-2-2015/

 

Alisa Henriquez: Floaters, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Jennifer Coates, contributing writer; Art in America, Modern Painters and The Brooklyn Rail, 2016 (inclusion: six color plates)

 

“Transformed Viewpionts”, Hyperallergic, February 3, 2015, ArtRx listing by Hrag Vartanian, New York, NY, 2015, http://hyperallergic.com/179159/artrx-nyc-32/

 

Transformed Viewpoints: National Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Charlotta Kotik, Brooklyn Museum Curator Emerita, 2015 (inclusion: one color plate)

 

Tidal Shifts: Department of Art, Art History, and Design Faculty Triennial, Exhibition Catalogue, Eli and Edythe Broad Art Museum, East Lansing, MI, Essays by Michael Rush, Founding Director, Eli and Edythe Broad Art Museum and Christina Chang, Curator, Minnesota Museum of American Art, 2015 (inclusion: three color plates)

 

Ley Lines, H.L. Hix, Wilfred Laurier University Press, 2014, Ontario, Canada, 2014 (inclusion in book: one color plate and artist statement)

 

Liminal Communities, National and International Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Lucy Li, contributing writer; Art Critical and The Brooklyn Rail, 2014 (inclusion: one color plate)

 

“NYC’s A.I.R. Gallery Appears at Nashville’s Ground Floor Gallery”, Burnaway, October 8, 2014. Review by Erica Ciccarone, Nashville, TN, 2014 http://burnaway.org/review/r-refreshed-ground-floor-gallery-2/ (Inclusion: one color image)

 

frag-ment, National and International Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Jill Connor, Editor, Whitehot Magazine, contributing writer; Afterimage, ArtUS, Sculpture, and Art in America, 2013 (inclusion: one color plate)

 

Mid-American College Art Association Members Exhibition, Exhibition Catalogue, Elaine L. Jacob Gallery, Detroit, MI, 2012 (inclusion: two installation views)

 

“Magazines Inspire ‘Consumption’ Paintings”, Northwestern University News Center, February 10, 2012. Review by Judy Moore, Evanston, IL, 2012, (inclusion: one color image)

 

“UICA features collages by Alisa Henriquez in current exhibit ‘Woman I’ “, M Live Media Group, December 28, 2011. Review by Kristin Austin, Grand Rapids, MI, 2011 

 

Drawing Resurfaced: National Contemporary Drawing Exhibition, Exhibition Catalogue,

 

Purdue University, West Lafayette, IN, Essay by Craig Martin, Director, Purdue University Galleries, 2011 (inclusion: one color plate)

 

“International Painting Annual 1”, Manifest Press, Cincinnati, OH, Essays by Jason Franz, Executive Director and Chief Curator and Tim Parsley, Associate Director, 2011 (inclusion in book: two color plates)

 

“ Extremes at the Gallery Project: Now You See Them, Now You Don’t, and Visa Versa”. Review by Jennifer Metsker, Independent Arts Writer, Ann Arbor, MI, 2011

 

Seventy-Fifth National Midyear Exhibition, Exhibition Catalogue, Butler Institute of American Art, Youngstown, OH, 2011(inclusion: one color plate)

 

Drawing in The Expanded Field, On Line Exhibition Catalogue, Hatton Gallery, Colorado State University, Fort Collin, CO. Essay by Mary-Ann Kokoska, Exhibition Coordinator, Associate Professor, Drawing Area, Colorado State University, 2010

 

“Manifest Guidebook: works of collage and assemblage”, Volume 45, Manifest Press, Cincinnati, OH, 2010 (inclusion: two color plates)

 

“Research at Michigan State University 2007 Calendar”, Michigan Sate University, East Lansing, MI, 2007 (inclusion: color image and artist statement)

 

“ A ‘Flattened’ Look at Abstract Art”, The Evanston Review, February 2006, Evanston, IL, Review by Myrna Petlicki, 2006

 

“Flattened”, Evanston Art Center, Evanston, IL, Curatorial Statement by John Brunetti, 2005

 

"District Look Back", Deroitarts, May 9 2005, http://detroitarts.blogspot.com/2005/05/district-lookback.html

                                           

“District Arts: Henriquez and De Giusti”, thedetroiter.com, Review by Nick Sousanis, Detroit, MI, 2005                        

 

“Multi-Part Pieces”, Detroit Jewish News, May 2001, Review by Suzanne Chessler, Detroit, MI, 2001

 

“Innovation and Old Friends”, City Pulse, Review by Amanda Tigner, East Lansing, MI, 2004

 

“Pop Art and the Look of Liberation”, The Times-Union, Jacksonville, FL, Review by Yvette M. Yee, 2002    

 

The Consuming Image: New Painterly Pop, Exhibition Catalogue, Jacksonville Museum of Modern Art, Jacksonville, FL, Essay by George Kinghorn, Curator, Jacksonville Museum of Modern Art, 2002 (inclusion: two color plates)

 

October International Competition, Exhibition Catalogue, The Armory Art Center, West Palm Beach, FL, 2001 (inclusion: color plate and bio)

 

“New American Paintings”, Midwest, Volume 29, The Open Studio Press, Boston, MA. Essay by Joan

 

Rothfuss, Associate Curator, Walker Art Center, 2000 (inclusion: three color plates, CV and artist statement)

 

“Chicago Artists '97”, New Art Examiner, October 1997, Chicago, IL, Review by Maria Jose Barandiaran, 1997

 

“Four Women Express Life in Buckham Show”, The Flint Journal, October 1996, Flint, MI, Review by Mary Ellen Zang, 1996

 

“Emison Art Exhibit”, Depauw Notes, Depauw University, Greencastle, IN, 1996

 

t e a c h i n g                                

 

Professor, Michigan State University, East Lansing, MI, 2016-present

 

v i s i t i n g   a r t i s t   p o s i t i o n s   +   p a n e l s

 

West Virginia University, Morgantown, WV

University of Washington, Seattle, WA

Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI

Elon University, Elon, NC

Urban Institute of Contemporary Art, Grand Rapids, MI               

Rhode Island School of Design, Providence, RI

Depauw University, Greencastle, IN

School of Art and Design, Alfred University, Alfred, NY

State University of New York, University of Buffalo, Buffalo, NY

Drury College, Springfield, MO

William Woods College, Fulton, MO

 

 

f e l l o w s h i p s   |   g r a n t s    |   a w a r d s    ( select )

 

Special Travel Fund Award, Department of Art, Art History and Design, Michigan State University, East Lansing MI, 2016

 

“Makeover Culture Disfigured: A Series of Assemblages”, HARP Development Grant, Michigan State University, East Lansing, MI, 2016 

 

Purchase Award, South Bend Museum of Art, South Bend, IN, 2015

 

Director’s Choice Award, 2012 Mid-American College Art Association Members Juried Exhibition, Elaine L. Jacob Gallery, Wayne State University, Detroit, MI, 2012

 

“Consumption: A Series of Paintings”, HARP Development Grant, Michigan State University, 2011 

 

“Constructed Reality: A Series of Abstract Paintings”, Research Enhancement Grant, College of Arts and Letters, Michigan State University, 2006 

 

“Encoded Patterns: A Series of Paintings”, Intramural Research Grant, Michigan State University, 2003 

 

Travel Awards, Department of Art, Michigan State University, East Lansing, MI, 2000 -1999                               

 

Canadian Studies Grant, Michigan State University, East Lansing, MI, 2000

 

Intramural Research Grant, Michigan State University, 1999 

 

Dean's Travel Award, College of Arts and Letters, Michigan State University, 1998 

 

All-University Research Grant, College of Arts and Letters, Michigan State University, 1997 

 

Teaching Assistantship, Indiana University Florence, Italy Summer Program, Indiana University, Bloomington, IN, 1993

 

Best of Show Award, Painting and Drawing Exhibition, Jordan Creek Art Gallery, Springfield, MO, 1998

 

Ellen Battel Stoeckel Fellowship, Yale Summer School of Music and Art, Norfolk, CT, 1987

 

British Columbia Cultural Grant, Vancouver, BC, Canada, 1985,1986,1987