c o n t a c t :  henrique@msu.edu
w e b s i t e :  www.alisahenriquez.com
b o r n :   Kingston, Jamaica

e d u c a t i o n

Indiana University, Bloomington, IN, Master of Fine Arts in Painting, 1993
Rhode Island School of Design, Providence, RI, Bachelor of Fine Arts in Painting, 1988
Yale Summer School of Music & Art, Norfolk, CT, 1987
Emily Carr College of Art + Design, Vancouver, BC, 1983-1985

e x h i b i t i o n s   ( select solo + small group)

Together & Apart: A Legacy of Abstraction, Four-Person Exhibition, David Klein Gallery, Detroit, MI, 2023
The Constructed Body, Solo Exhibition, McDonough Museum of Art, Youngstown State University, Youngstown, OH, 2022
Shimmer, Solo Exhibition, The Painting Center, New York, NY, 2022
Alisa Henriquez: Twist, Glide, Shine, Solo Exhibition, A.I.R. Gallery, Brooklyn NY, 2019
Fractured Beauty, Three Person Exhibition, David Klein Gallery, Detroit, MI, 2019
Alisa Henriquez, Laura and Paul Mesaros Galleries, West Virginia University, Morgantown, WV, 2018
Alisa Henriquez, Solo Exhibition, Pearl Conrad Gallery, The Ohio State University, Mansfield, OH, 2017
Alisa Henriquez: The Constructed Body, Solo Exhibition, University of Maine Museum of Art, Bangor, ME, 2016
Alisa Henriquez: Makeover Culture Disfigured, Solo Exhibition, The Painting Center, New York, NY, 2016                     
Alisa Henriquez: Floaters, Solo Exhibition, A.I.R. Gallery, Brooklyn, NY, 2015
sometimes | always | never, Two-person Exhibition, Elon University, Elon, NC, 2014
Consumption, Solo Exhibition, Dittmar Memorial Gallery, Northwestern University, Evanston, IL, 2012
Woman I, Solo Installation, South Gallery, Urban Institute of Contemporary Art, Grand Rapids, MI, 2011
Popular Culture Re-Constructed, Memorial Hall Painting Gallery, Rhode Island School of Design, Providence, RI, 2010
86.28 Miles, Detroit Industrial Projects, Detroit, MI, 2008
Flattened, Evanston Art Center, Evanston, IL, 2006
Alisa Henriquez and Sergio De Giusti, District Arts Gallery, Birmingham, MI, 2005
Social Patterns, Fine Arts Gallery, Northeastern Illinois University, Chicago, IL, 2003
The Consuming Image: New Painterly Pop, Jacksonville Museum of Modern Art, Jacksonville, FL, 2002
Inaugural Exhibition, Featured Artist, Arena Gallery, Chicago, IL, 2000
Annex Abstract Show, Buschlen Mowatt Gallery, Vancouver, BC, 2000
2’ x 2’ Show, Buschlen Mowatt Gallery, Vancouver, BC, 2000
Alisa Henriquez: Recent Paintings, Solo Exhibition, Gallery 138, Kent State University, Kent, OH, 1999
Alisa Henriquez: Encoded Patterns, Solo Exhibition, ARC Gallery, Chicago, IL, 1998
What Remains, Bevier Gallery, Rochester Institute of Technology, Rochester, NY, 1998
Alisa Henriquez: Recent Paintings, Solo Exhibition, University of Illinois at Chicago, Chicago, IL, 1997
Holding Forth, Buckham Gallery, Flint, MI, 1996
Alisa Henriquez and Thomas Berding, Emison Art Center, Depauw University,Greencastle, IN, 1996
Alisa Henriquez and Margaret Meade-Turnbull, Otherwise Gallery, Lansing, MI, 1995
Struct, Gallery 28, New England School of Art and Design, Boston, MA, 1994
Three Person Exhibition, William Woods College, Fulton, MO, 1990

g r o u p   e x h i b i t i o n s   ( select )

Faculty Triennial Exhibition, Eli and Edythe Broad Art Museum, East Lansing, MI, 2024
Faculty Triennial Exhibition, Eli and Edythe Broad Art Museum, East Lansing, MI, 2024
Summer 2023: Detroit, David Klein Gallery, Detroit, MI, 2023
Summer Group Exhibition, David Klein Gallery, Birmingham, MI, 2022
Becoming SBMA, South Bend Museum of Art, South Bend, IN, 2022
Salon Redux, David Klein Gallery, Detroit, MI, 2022
Pop Art and Influence, Zillman Art Museum, University of Maine, Bangor, MN, 2021
Faculty Triennial Exhibition, Eli and Edythe Broad Art Museum, East Lansing, MI, 2021
Salon: Work on Paper, David Klein Gallery, Detroit, MI 2019
Facing Disjunction: National Artists Exhibition, A.I.R. Gallery, Brooklyn, NY, 2018
Gathering Differences: National Artists Exhibition, A.I.R. Gallery, Brooklyn NY, 2017
Cooperative Conciousness - Works From A.I.R., Kochi Muziris Biennale, Kochi, India, 2016
Expats, Indianapolis Art Center, Marilyn K. Glick School of Art, Indianapolis, IN, 2016
Biennial 28 Exhibition, South Bend Museum of Art, South Bend, IN, 2015
Disconnected, The Difiore Center, St. George, UT, 2015
Tidal Shifts, Triennial Faculty Exhibition, Eli and Edythe Broad Art Museum, East Lansing, MI, 2015
A.I.R. ReFreshed, Travelling Exhibition, Noland Park, House 5B, Governors Island, NY, 2015
A.I.R. ReFreshed, Travelling Exhibition, Washington University, St. Louis, MO, 2015
Ley Lines: Crossing Media with Cultural Conversations, Group Exhibition,
University of Wyoming Art Museum, Laramie, WY, 2015
Transformed Viewpoints, AIR Gallery, Brooklyn NY, scheduled 2015
A.I.R. ReFreshed, Department of Gender and Sexuality Studies, Princeton University, Princeton, NJ, 2015
21 and Counting: The Painting Center Turns 21, Group Exhibition The Painting Center, New York, NY 2014
Nexus: From Handmade to High Tech, Sarasota Arts Center, Sarasota, FL, 2014
A.I.R. ReFreshed, Travelling Exhibition, A’Dor Gallery, San Francisco, CA, 2014
A.I.R ReFreshed, Travelling Exhibition, Ground Floor Gallery, Nashville, TN, 2014
Liminal Communities, A.I.R. Gallery, Brooklyn, NY, 2014
Disconnect, The Target Gallery, Torpedo Factory Art Center, Alexandria, VA, 2013
frag-ment, A.I.R. Gallery, Brooklyn, NY, 2013
Mid-American College Art Association Exhibition, Elaine L. Jacob Gallery, Wayne State University, Detroit, MI 2012
American Dream, Gallery Project, Ann Arbor, MI, 2012
Drawing Resurfaced, Stewart Center Gallery, Purdue University, West Lafayette, IN, 2011
Extreme(s), Gallery Project, Ann Arbor, MI, 2011
75th Mid-Year Exhibition, Butler Institute of American Art, Youngstown, OH, 2011
Drawing in the Expanded Field, Hatton Gallery, Colorado State University, Fort Collins, CO, 2010
Contemporary Collage and Assemblage, Manifest Creative Research Gallery, Cincinnati, OH, 2010
Obsession, Gallery Project, Ann Arbor, MI, 2009
Summer Exhibition, District Arts Gallery, Birmingham, MI, 2005
Michigan Master Painters, Delta College, Delta MI, 2005
Open Ended, Moreau Galleries, Saint Mary’s College, Notre Dame, IN, 2002
Collage/Assemblage/Montage, Pennsylvania School of Art and Design, Lancaster, PA, 2002
October International Competition, The Armory Art Center, West Palm Beach, FL, 2001
LaGrange National Biennial, Chattahoochee Valley Art Museum, LaGrange, GA, 2000
Michigan State University Traveling Exhibition, Port Elizabeth Technikon, Pretoria, South Africa, 2000
Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI, 1999
Poly Grams, Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, 1999
62nd Annual Midyear Exhibition, Butler Institute of American Art, Youngstown, OH, 1998
Chicago Artists 1997, Gallery 312, Chicago, IL, 1997
10TH Annual Northern National Art Competition, The LRC Gallery, Nicolet College, Rhinelander, WI, 1997
Contemporary Art Workshop, Chicago, IL, 1995
Group Exhibition, Otherwise Gallery, Lansing, MI, 1994
MFA Thesis Exhibition, Fine Arts Gallery, Indiana University, Bloomington, IN, 1993
Graduate Painting Exhibition, Fine Arts Gallery, Indiana University, Bloomington, IN, 1992
Big Ten University Conference Center Exhibition, Chicago Conference Center, Chicago, IL, 1991
Drawing Invitational, Drury College, Springfield, MO, 1990
Springfield Area Artist Exhibition, Springfield Art Museum, Springfield, MO, 1990
MOAK crafts, Springfield Art Museum, Springfield, MO, 1990     
Regional Exhibition, Springfield Art Museum, Springfield, MO, 1990
Painting & Drawing Exhibition, Jordan Creek Art Gallery, Springfield, MO, 1989
BFA Thesis Exhibition, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI
Painting Exhibition, Yale Summer School of Music & Art, Norfolk, CT, 1987
Mixed Media Exhibition, List Gallery, Brown University, Providence, RI, 1987
Painting & Drawing Exhibition, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI, 1987
Painting & Drawing Exhibition, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI, 1986
Fleet National Bank Painting Exhibition, Fleet National Bank, Providence, RI, 1986

p u b l i c   a r t   c o m m i s s i o n

Union Engagement Center, Student Union, Michigan State University, East Lansing, M

g a l l e r y   r e p r e s e n t a t i o n   +   r e g i s t r i e s

David Klein Gallery, Detroit, MI, 2019-present
A.I.R. Gallery, Brooklyn, NY, 2012-present
The Painting Center Registry, Curated On-Line Resource, New York, NY, 2012-present
The Drawing Center Registry, Curated On-Line Resource, New York, NY, 2007-present
City of Chicago Registry, Department of Cultural Affairs Public Art Program, Chicago, IL, 2002-2007
District Arts Gallery, Birmingham, Detroit, MI, 2005-2006
Buschlen Mowatt Gallery, Vancouver, BC, 2000-2002
Arena Gallery, Chicago, IL, 2000-2002

b i b l i o g r a p h y

Department of Art, Art History, and Design Faculty Triennial,Exhibition Catalog, Eli and Edythe Broad Art Museum, East Lansing, MI, 2024

Together & Apart: A Legacy of Abstraction, Four-Person Exhibition, David Klein Gallery, Detroit, MI

“Abstraction @ David Klein Gallery”, Detroit Art Review, June 28th, 2023, Review by Michael Hodges, 2023

Alisa Henriquez: Shimmer, Digital Exhibition Catalogue, The Painting Center, New York, NY, 2022,
catalogue design: Shazzi Thomas

McDonough Museum Fall 2022 Exhibition, YouTube video, McDonough Museum of Art, Youngstown State University, Youngstown, OH, 2022

2021 Department of Art, Art History, and Design Faculty Triennial,Exhibition Catalog, Eli and Edythe Broad Art Museum,
East Lansing, MI

Salon: Digital Exhibition Catalogue, David Klein Gallery,Detroit, MI, 2019 (inclusion: one image)

“Salon @ David Klein Gallery”, Detroit Art Review, October 13, 2019, Review by Ryan Standfest

Fractured Beauty: Digital Exhibition Catalogue, David Klein Gallery, Detroit, MI, 2019 (inclusion: eleven images)

“Detroit’s David Klein Gallery explores “Fractured Beauty” in latest exhibition”, Detroit Metro Times, Arts & Culture, February 13, 2019, Review by Jerilyn Jordan, 2019

“Fractured Beauty: Alisa Henriquez, Andrew Krieger, Brad Howe @ David Klein Gallery”, Detroit Art Review, March 5, 2019, Review by Glen Mannisto, 2019

Facing Disjunction: Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY, Essay, Facing Disjunction: Making Sense of a Fragmented World, by Judith Tolnick Champa, 2018 (inclusion: one color image)

Gathering Differences: National Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY, 2017 (inclusion:one color image)

Cooperative Conciousness - Work From A.I.R., Exhibition Catalogue, Kochi-Muzirus Biennale, Kochi, India. Essay by Kathryn Meyers, Professor of Art, University of Connecticut, 2016 (inclusion: one color image)

“Alisa Henriquez at the University of Maine Art”, Artdeal Magazine, Review by Addison Parks; Contributing writer, ARTS Magazine and Christian Science Monitor, 2016 (inclusion 5 color images)

In the Secret Garden: National Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Rocío Aranda-Alvarado, Senior Curator, El Museo del Barrio, 2016 (inclusion: one color image)

“Artist spotlight: Alisa Henriquez”, Examiner.com, May 16, 2016, Denver, CO. Interview by Meagan Meehan, http://www.examiner.com/article/artist-spotlight-alisa-henriquez, 2016(inclusion: interview with ten color images)

“Partners in life and art”, Bangor Daily News, May 12, 2016, Bangor, MN. Review by Shelby Hartin, 2016

Alisa Henriquez: Assemblages 2014-2016, Exhibition Catalogue, The Painting Center, New York, NY and Maine Museum of Art, Bangor MN. Essay by Alison Gass, Associate Director for Exhibitions, Collections and Curatorial Affairs, Cantor Arts Center, Stanford University, 2016 (inclusion: twenty-three color plates)

Biennial 28, Exhibition Catalog, South Bend Museum of Art, South Bend, IN. Essay by Curator Staci Boris; Chief Curator, The Andy Warhol Museum, 2015 (inclusion: one color plate)

“Floating Identity”, Border Crossings Magazine, Volume 34, Number 2, Issue 134, May 2015, Winnipeg, MB. Review by Robert Enright, Founder and Editor, Border Crossings Magazine, Research Chair in Art Criticism, University of Guelph, contributing writer; ARTnews, Modern Painters, Art Review, and the Globe and Mail, 2015 (Inclusion: 3 color plates)

“3 Can’t Miss Art Exhibits This Week NYC”, Remezcla, March 2, 2015, Barbara Calderon-Douglass, New York, NY, 2015, http://remezcla.com/lists/3-cant-miss-latino-art-exhibits-nyc-march-2-2015/

Alisa Henriquez: Floaters, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Jennifer Coates, contributing writer; Art in America, Modern Painters and The Brooklyn Rail, 2016 (inclusion: six color plates)

“Transformed Viewpionts”, Hyperallergic, February 3, 2015, ArtRx listing by Hrag Vartanian, New York, NY, 2015, http://hyperallergic.com/179159/artrx-nyc-32/

Transformed Viewpoints: National Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Charlotta Kotik, Brooklyn Museum Curator Emerita, 2015 (inclusion: one color plate)

Tidal Shifts: Department of Art, Art History, and Design Faculty Triennial, Exhibition Catalogue, Eli and Edythe Broad Art Museum, East Lansing, MI, Essays by Michael Rush, Founding Director, Eli and Edythe Broad Art Museum and Christina Chang, Curator, Minnesota Museum of American Art, 2015 (inclusion: three color plates)

Ley Lines, H.L. Hix, Wilfred Laurier University Press, 2014, Ontario, Canada, 2014 (inclusion in book: one color plate and artist statement)

Liminal Communities, National and International Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Lucy Li, contributing writer; Art Critical and The Brooklyn Rail, 2014 (inclusion: one color plate)

“NYC’s A.I.R. Gallery Appears at Nashville’s Ground Floor Gallery”, Burnaway, October 8, 2014. Review by Erica Ciccarone, Nashville, TN, 2014 http://burnaway.org/review/r-refreshed-ground-floor-gallery-2/ (Inclusion: one color image)

Frag-ment, National and International Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Jill Connor, Editor, Whitehot Magazine, contributing writer; Afterimage, ArtUS, Sculpture, and Art in America, 2013 (inclusion: one color plate)

Mid-American College Art Association Members Exhibition, Exhibition Catalogue, Elaine L. Jacob Gallery, Detroit, MI, 2012 (inclusion: two installation views)

“Magazines Inspire ‘Consumption’ Paintings”, Northwestern University News Center, February 10, 2012. Review by Judy Moore, Evanston, IL, 2012, (inclusion: one color image)

“UICA features collages by Alisa Henriquez in current exhibit ‘Woman I’ “, M Live Media Group, December 28, 2011. Review by Kristin Austin, Grand Rapids, MI, 2011 

Drawing Resurfaced: National Contemporary Drawing Exhibition, Exhibition Catalogue,

Purdue University, West Lafayette, IN, Essay by Craig Martin, Director, Purdue University Galleries, 2011 (inclusion: one color plate)

“International Painting Annual 1”, Manifest Press, Cincinnati, OH, Essays by Jason Franz, Executive Director and Chief Curator and Tim Parsley, Associate Director, 2011 (inclusion in book: two color plates)

“Extremes at the Gallery Project: Now You See Them, Now You Don’t, and Visa Versa”. Review by Jennifer Metsker, Independent Arts Writer, Ann Arbor, MI, 2011

Seventy-Fifth National Midyear Exhibition, Exhibition Catalogue, Butler Institute of American Art, Youngstown, OH, 2011 (inclusion: one color plate)

Drawing in The Expanded Field, On Line Exhibition Catalogue, Hatton Gallery, Colorado State University, Fort Collin, CO. Essay by Mary-Ann Kokoska, Exhibition Coordinator, Associate Professor, Drawing Area, Colorado State University, 2010

“Manifest Guidebook: works of collage and assemblage”, Volume 45, Manifest Press, Cincinnati, OH, 2010 (inclusion: two color plates)

“Research at Michigan State University 2007 Calendar”, Michigan Sate University, East Lansing, MI, 2007 (inclusion: color image and artist statement)

“A ‘Flattened’ Look at Abstract Art”, The Evanston Review, February 2006, Evanston, IL, Review by Myrna Petlicki, 2006

“Flattened”, Evanston Art Center, Evanston, IL, Curatorial Statement by John Brunetti, 2005

"District Look Back", Deroitarts, May 9 2005, http://detroitarts.blogspot.com/2005/05/district-lookback.html

“District Arts: Henriquez and De Giusti”, thedetroiter.com, Review by Nick Sousanis, Detroit, MI, 2005

“Multi-Part Pieces”, Detroit Jewish News, May 2001, Review by Suzanne Chessler, Detroit, MI, 2001

“Innovation and Old Friends”, City Pulse, Review by Amanda Tigner, East Lansing, MI, 2004

“Pop Art and the Look of Liberation”, The Times-Union, Jacksonville, FL, Review by Yvette M. Yee, 2002    

The Consuming Image: New Painterly Pop, Exhibition Catalogue, Jacksonville Museum of Modern Art, Jacksonville, FL, Essay by George Kinghorn, Curator, Jacksonville Museum of Modern Art, 2002 (inclusion: two color plates)

October International Competition, Exhibition Catalogue, The Armory Art Center, West Palm Beach, FL, 2001 (inclusion: color plate and bio)

“New American Paintings”, Midwest, Volume 29, The Open Studio Press, Boston, MA. Essay by Joan

Rothfuss, Associate Curator, Walker Art Center, 2000 (inclusion: three color plates, CV and artist statement)

“Chicago Artists '97”, New Art Examiner, October 1997, Chicago, IL, Review by Maria Jose Barandiaran, 1997

“Four Women Express Life in Buckham Show”, The Flint Journal, October 1996, Flint, MI, Review by Mary Ellen Zang, 1996

“Emison Art Exhibit”, Depauw Notes, Depauw University, Greencastle, IN, 1996

t e a c h i n g

Professor, Michigan State University, East Lansing, MI, 2016-present

v i s i t i n g   a r t i s t   p o s i t i o n s   +   p a n e l s


Stamps School of Art & Design, University of Michigan, Ann Arbor, MI
The McDonough Museum of Art, Youngstown, OH
Meyers Lecture Series, University of Akron, Akron, OH
University of Notre Dame, Notre Dame, IN
West Virginia University, Morgantown, WV
University of Washington, Seattle, WA
Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI
Elon University, Elon, NC
Urban Institute of Contemporary Art, Grand Rapids, MI               
Rhode Island School of Design, Providence, RI
Depauw University, Greencastle, IN
School of Art and Design, Alfred University, Alfred, NY
State University of New York, University of Buffalo, Buffalo, NY
Drury College, Springfield, MO
William Woods College, Fulton, MO

f e l l o w s h i p s   |   g r a n t s    |   a w a r d s    ( select )


“History Reimagined: Abstracting Constructed Identity”, HARP Development Grant, Michigan State University, East Lansing, MI, 2023

Special Travel Fund Award, Department of Art, Art History and Design, Michigan State University, East Lansing MI, 2016

“Makeover Culture Disfigured: A Series of Assemblages”, HARP Development Grant, Michigan State University, East Lansing, MI, 2016 

Purchase Award, South Bend Museum of Art, South Bend, IN, 2015

Director’s Choice Award, 2012 Mid-American College Art Association Members Juried Exhibition, Elaine L. Jacob Gallery, Wayne State University, Detroit, MI, 2012

“Consumption: A Series of Paintings”, HARP Development Grant, Michigan State University, 2011 

“Constructed Reality: A Series of Abstract Paintings”, Research Enhancement Grant, College of Arts and Letters, Michigan State University, 2006 

“Encoded Patterns: A Series of Paintings”, Intramural Research Grant, Michigan State University, 2003 

Travel Awards, Department of Art, Michigan State University, East Lansing, MI, 2000 -1999

Canadian Studies Grant, Michigan State University, East Lansing, MI, 2000

Intramural Research Grant, Michigan State University, 1999

Dean's Travel Award, College of Arts and Letters, Michigan State University, 1998 

All-University Research Grant, College of Arts and Letters, Michigan State University, 1997

Teaching Assistantship, Indiana University Florence, Italy Summer Program, Indiana University, Bloomington, IN, 1993

Best of Show Award, Painting and Drawing Exhibition, Jordan Creek Art Gallery, Springfield, MO, 1998

Ellen Battel Stoeckel Fellowship, Yale Summer School of Music and Art, Norfolk, CT, 1987

British Columbia Cultural Grant, Vancouver, BC, Canada, 1985,1986,1987

Sections

CV

c o n t a c t :  henrique@msu.edu
w e b s i t e :  www.alisahenriquez.com
b o r n :   Kingston, Jamaica

e d u c a t i o n

Indiana University, Bloomington, IN, Master of Fine Arts in Painting, 1993
Rhode Island School of Design, Providence, RI, Bachelor of Fine Arts in Painting, 1988
Yale Summer School of Music & Art, Norfolk, CT, 1987
Emily Carr College of Art + Design, Vancouver, BC, 1983-1985

e x h i b i t i o n s   ( select solo + small group)

Together & Apart: A Legacy of Abstraction, Four-Person Exhibition, David Klein Gallery, Detroit, MI, 2023
The Constructed Body, Solo Exhibition, McDonough Museum of Art, Youngstown State University, Youngstown, OH, 2022
Shimmer, Solo Exhibition, The Painting Center, New York, NY, 2022
Alisa Henriquez: Twist, Glide, Shine, Solo Exhibition, A.I.R. Gallery, Brooklyn NY, 2019
Fractured Beauty, Three Person Exhibition, David Klein Gallery, Detroit, MI, 2019
Alisa Henriquez, Laura and Paul Mesaros Galleries, West Virginia University, Morgantown, WV, 2018
Alisa Henriquez, Solo Exhibition, Pearl Conrad Gallery, The Ohio State University, Mansfield, OH, 2017
Alisa Henriquez: The Constructed Body, Solo Exhibition, University of Maine Museum of Art, Bangor, ME, 2016
Alisa Henriquez: Makeover Culture Disfigured, Solo Exhibition, The Painting Center, New York, NY, 2016                     
Alisa Henriquez: Floaters, Solo Exhibition, A.I.R. Gallery, Brooklyn, NY, 2015
sometimes | always | never, Two-person Exhibition, Elon University, Elon, NC, 2014
Consumption, Solo Exhibition, Dittmar Memorial Gallery, Northwestern University, Evanston, IL, 2012
Woman I, Solo Installation, South Gallery, Urban Institute of Contemporary Art, Grand Rapids, MI, 2011
Popular Culture Re-Constructed, Memorial Hall Painting Gallery, Rhode Island School of Design, Providence, RI, 2010
86.28 Miles, Detroit Industrial Projects, Detroit, MI, 2008
Flattened, Evanston Art Center, Evanston, IL, 2006
Alisa Henriquez and Sergio De Giusti, District Arts Gallery, Birmingham, MI, 2005
Social Patterns, Fine Arts Gallery, Northeastern Illinois University, Chicago, IL, 2003
The Consuming Image: New Painterly Pop, Jacksonville Museum of Modern Art, Jacksonville, FL, 2002
Inaugural Exhibition, Featured Artist, Arena Gallery, Chicago, IL, 2000
Annex Abstract Show, Buschlen Mowatt Gallery, Vancouver, BC, 2000
2’ x 2’ Show, Buschlen Mowatt Gallery, Vancouver, BC, 2000
Alisa Henriquez: Recent Paintings, Solo Exhibition, Gallery 138, Kent State University, Kent, OH, 1999
Alisa Henriquez: Encoded Patterns, Solo Exhibition, ARC Gallery, Chicago, IL, 1998
What Remains, Bevier Gallery, Rochester Institute of Technology, Rochester, NY, 1998
Alisa Henriquez: Recent Paintings, Solo Exhibition, University of Illinois at Chicago, Chicago, IL, 1997
Holding Forth, Buckham Gallery, Flint, MI, 1996
Alisa Henriquez and Thomas Berding, Emison Art Center, Depauw University,Greencastle, IN, 1996
Alisa Henriquez and Margaret Meade-Turnbull, Otherwise Gallery, Lansing, MI, 1995
Struct, Gallery 28, New England School of Art and Design, Boston, MA, 1994
Three Person Exhibition, William Woods College, Fulton, MO, 1990

g r o u p   e x h i b i t i o n s   ( select )

Faculty Triennial Exhibition, Eli and Edythe Broad Art Museum, East Lansing, MI, 2024
Faculty Triennial Exhibition, Eli and Edythe Broad Art Museum, East Lansing, MI, 2024
Summer 2023: Detroit, David Klein Gallery, Detroit, MI, 2023
Summer Group Exhibition, David Klein Gallery, Birmingham, MI, 2022
Becoming SBMA, South Bend Museum of Art, South Bend, IN, 2022
Salon Redux, David Klein Gallery, Detroit, MI, 2022
Pop Art and Influence, Zillman Art Museum, University of Maine, Bangor, MN, 2021
Faculty Triennial Exhibition, Eli and Edythe Broad Art Museum, East Lansing, MI, 2021
Salon: Work on Paper, David Klein Gallery, Detroit, MI 2019
Facing Disjunction: National Artists Exhibition, A.I.R. Gallery, Brooklyn, NY, 2018
Gathering Differences: National Artists Exhibition, A.I.R. Gallery, Brooklyn NY, 2017
Cooperative Conciousness - Works From A.I.R., Kochi Muziris Biennale, Kochi, India, 2016
Expats, Indianapolis Art Center, Marilyn K. Glick School of Art, Indianapolis, IN, 2016
Biennial 28 Exhibition, South Bend Museum of Art, South Bend, IN, 2015
Disconnected, The Difiore Center, St. George, UT, 2015
Tidal Shifts, Triennial Faculty Exhibition, Eli and Edythe Broad Art Museum, East Lansing, MI, 2015
A.I.R. ReFreshed, Travelling Exhibition, Noland Park, House 5B, Governors Island, NY, 2015
A.I.R. ReFreshed, Travelling Exhibition, Washington University, St. Louis, MO, 2015
Ley Lines: Crossing Media with Cultural Conversations, Group Exhibition,
University of Wyoming Art Museum, Laramie, WY, 2015
Transformed Viewpoints, AIR Gallery, Brooklyn NY, scheduled 2015
A.I.R. ReFreshed, Department of Gender and Sexuality Studies, Princeton University, Princeton, NJ, 2015
21 and Counting: The Painting Center Turns 21, Group Exhibition The Painting Center, New York, NY 2014
Nexus: From Handmade to High Tech, Sarasota Arts Center, Sarasota, FL, 2014
A.I.R. ReFreshed, Travelling Exhibition, A’Dor Gallery, San Francisco, CA, 2014
A.I.R ReFreshed, Travelling Exhibition, Ground Floor Gallery, Nashville, TN, 2014
Liminal Communities, A.I.R. Gallery, Brooklyn, NY, 2014
Disconnect, The Target Gallery, Torpedo Factory Art Center, Alexandria, VA, 2013
frag-ment, A.I.R. Gallery, Brooklyn, NY, 2013
Mid-American College Art Association Exhibition, Elaine L. Jacob Gallery, Wayne State University, Detroit, MI 2012
American Dream, Gallery Project, Ann Arbor, MI, 2012
Drawing Resurfaced, Stewart Center Gallery, Purdue University, West Lafayette, IN, 2011
Extreme(s), Gallery Project, Ann Arbor, MI, 2011
75th Mid-Year Exhibition, Butler Institute of American Art, Youngstown, OH, 2011
Drawing in the Expanded Field, Hatton Gallery, Colorado State University, Fort Collins, CO, 2010
Contemporary Collage and Assemblage, Manifest Creative Research Gallery, Cincinnati, OH, 2010
Obsession, Gallery Project, Ann Arbor, MI, 2009
Summer Exhibition, District Arts Gallery, Birmingham, MI, 2005
Michigan Master Painters, Delta College, Delta MI, 2005
Open Ended, Moreau Galleries, Saint Mary’s College, Notre Dame, IN, 2002
Collage/Assemblage/Montage, Pennsylvania School of Art and Design, Lancaster, PA, 2002
October International Competition, The Armory Art Center, West Palm Beach, FL, 2001
LaGrange National Biennial, Chattahoochee Valley Art Museum, LaGrange, GA, 2000
Michigan State University Traveling Exhibition, Port Elizabeth Technikon, Pretoria, South Africa, 2000
Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI, 1999
Poly Grams, Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, 1999
62nd Annual Midyear Exhibition, Butler Institute of American Art, Youngstown, OH, 1998
Chicago Artists 1997, Gallery 312, Chicago, IL, 1997
10TH Annual Northern National Art Competition, The LRC Gallery, Nicolet College, Rhinelander, WI, 1997
Contemporary Art Workshop, Chicago, IL, 1995
Group Exhibition, Otherwise Gallery, Lansing, MI, 1994
MFA Thesis Exhibition, Fine Arts Gallery, Indiana University, Bloomington, IN, 1993
Graduate Painting Exhibition, Fine Arts Gallery, Indiana University, Bloomington, IN, 1992
Big Ten University Conference Center Exhibition, Chicago Conference Center, Chicago, IL, 1991
Drawing Invitational, Drury College, Springfield, MO, 1990
Springfield Area Artist Exhibition, Springfield Art Museum, Springfield, MO, 1990
MOAK crafts, Springfield Art Museum, Springfield, MO, 1990     
Regional Exhibition, Springfield Art Museum, Springfield, MO, 1990
Painting & Drawing Exhibition, Jordan Creek Art Gallery, Springfield, MO, 1989
BFA Thesis Exhibition, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI
Painting Exhibition, Yale Summer School of Music & Art, Norfolk, CT, 1987
Mixed Media Exhibition, List Gallery, Brown University, Providence, RI, 1987
Painting & Drawing Exhibition, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI, 1987
Painting & Drawing Exhibition, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI, 1986
Fleet National Bank Painting Exhibition, Fleet National Bank, Providence, RI, 1986

p u b l i c   a r t   c o m m i s s i o n

Union Engagement Center, Student Union, Michigan State University, East Lansing, M

g a l l e r y   r e p r e s e n t a t i o n   +   r e g i s t r i e s

David Klein Gallery, Detroit, MI, 2019-present
A.I.R. Gallery, Brooklyn, NY, 2012-present
The Painting Center Registry, Curated On-Line Resource, New York, NY, 2012-present
The Drawing Center Registry, Curated On-Line Resource, New York, NY, 2007-present
City of Chicago Registry, Department of Cultural Affairs Public Art Program, Chicago, IL, 2002-2007
District Arts Gallery, Birmingham, Detroit, MI, 2005-2006
Buschlen Mowatt Gallery, Vancouver, BC, 2000-2002
Arena Gallery, Chicago, IL, 2000-2002

b i b l i o g r a p h y

Department of Art, Art History, and Design Faculty Triennial,Exhibition Catalog, Eli and Edythe Broad Art Museum, East Lansing, MI, 2024

Together & Apart: A Legacy of Abstraction, Four-Person Exhibition, David Klein Gallery, Detroit, MI

“Abstraction @ David Klein Gallery”, Detroit Art Review, June 28th, 2023, Review by Michael Hodges, 2023

Alisa Henriquez: Shimmer, Digital Exhibition Catalogue, The Painting Center, New York, NY, 2022,
catalogue design: Shazzi Thomas

McDonough Museum Fall 2022 Exhibition, YouTube video, McDonough Museum of Art, Youngstown State University, Youngstown, OH, 2022

2021 Department of Art, Art History, and Design Faculty Triennial,Exhibition Catalog, Eli and Edythe Broad Art Museum,
East Lansing, MI

Salon: Digital Exhibition Catalogue, David Klein Gallery,Detroit, MI, 2019 (inclusion: one image)

“Salon @ David Klein Gallery”, Detroit Art Review, October 13, 2019, Review by Ryan Standfest

Fractured Beauty: Digital Exhibition Catalogue, David Klein Gallery, Detroit, MI, 2019 (inclusion: eleven images)

“Detroit’s David Klein Gallery explores “Fractured Beauty” in latest exhibition”, Detroit Metro Times, Arts & Culture, February 13, 2019, Review by Jerilyn Jordan, 2019

“Fractured Beauty: Alisa Henriquez, Andrew Krieger, Brad Howe @ David Klein Gallery”, Detroit Art Review, March 5, 2019, Review by Glen Mannisto, 2019

Facing Disjunction: Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY, Essay, Facing Disjunction: Making Sense of a Fragmented World, by Judith Tolnick Champa, 2018 (inclusion: one color image)

Gathering Differences: National Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY, 2017 (inclusion:one color image)

Cooperative Conciousness - Work From A.I.R., Exhibition Catalogue, Kochi-Muzirus Biennale, Kochi, India. Essay by Kathryn Meyers, Professor of Art, University of Connecticut, 2016 (inclusion: one color image)

“Alisa Henriquez at the University of Maine Art”, Artdeal Magazine, Review by Addison Parks; Contributing writer, ARTS Magazine and Christian Science Monitor, 2016 (inclusion 5 color images)

In the Secret Garden: National Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Rocío Aranda-Alvarado, Senior Curator, El Museo del Barrio, 2016 (inclusion: one color image)

“Artist spotlight: Alisa Henriquez”, Examiner.com, May 16, 2016, Denver, CO. Interview by Meagan Meehan, http://www.examiner.com/article/artist-spotlight-alisa-henriquez, 2016(inclusion: interview with ten color images)

“Partners in life and art”, Bangor Daily News, May 12, 2016, Bangor, MN. Review by Shelby Hartin, 2016

Alisa Henriquez: Assemblages 2014-2016, Exhibition Catalogue, The Painting Center, New York, NY and Maine Museum of Art, Bangor MN. Essay by Alison Gass, Associate Director for Exhibitions, Collections and Curatorial Affairs, Cantor Arts Center, Stanford University, 2016 (inclusion: twenty-three color plates)

Biennial 28, Exhibition Catalog, South Bend Museum of Art, South Bend, IN. Essay by Curator Staci Boris; Chief Curator, The Andy Warhol Museum, 2015 (inclusion: one color plate)

“Floating Identity”, Border Crossings Magazine, Volume 34, Number 2, Issue 134, May 2015, Winnipeg, MB. Review by Robert Enright, Founder and Editor, Border Crossings Magazine, Research Chair in Art Criticism, University of Guelph, contributing writer; ARTnews, Modern Painters, Art Review, and the Globe and Mail, 2015 (Inclusion: 3 color plates)

“3 Can’t Miss Art Exhibits This Week NYC”, Remezcla, March 2, 2015, Barbara Calderon-Douglass, New York, NY, 2015, http://remezcla.com/lists/3-cant-miss-latino-art-exhibits-nyc-march-2-2015/

Alisa Henriquez: Floaters, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Jennifer Coates, contributing writer; Art in America, Modern Painters and The Brooklyn Rail, 2016 (inclusion: six color plates)

“Transformed Viewpionts”, Hyperallergic, February 3, 2015, ArtRx listing by Hrag Vartanian, New York, NY, 2015, http://hyperallergic.com/179159/artrx-nyc-32/

Transformed Viewpoints: National Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Charlotta Kotik, Brooklyn Museum Curator Emerita, 2015 (inclusion: one color plate)

Tidal Shifts: Department of Art, Art History, and Design Faculty Triennial, Exhibition Catalogue, Eli and Edythe Broad Art Museum, East Lansing, MI, Essays by Michael Rush, Founding Director, Eli and Edythe Broad Art Museum and Christina Chang, Curator, Minnesota Museum of American Art, 2015 (inclusion: three color plates)

Ley Lines, H.L. Hix, Wilfred Laurier University Press, 2014, Ontario, Canada, 2014 (inclusion in book: one color plate and artist statement)

Liminal Communities, National and International Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Lucy Li, contributing writer; Art Critical and The Brooklyn Rail, 2014 (inclusion: one color plate)

“NYC’s A.I.R. Gallery Appears at Nashville’s Ground Floor Gallery”, Burnaway, October 8, 2014. Review by Erica Ciccarone, Nashville, TN, 2014 http://burnaway.org/review/r-refreshed-ground-floor-gallery-2/ (Inclusion: one color image)

Frag-ment, National and International Artists Exhibition, Exhibition Catalogue, A.I.R. Gallery, Brooklyn, NY. Essay by Jill Connor, Editor, Whitehot Magazine, contributing writer; Afterimage, ArtUS, Sculpture, and Art in America, 2013 (inclusion: one color plate)

Mid-American College Art Association Members Exhibition, Exhibition Catalogue, Elaine L. Jacob Gallery, Detroit, MI, 2012 (inclusion: two installation views)

“Magazines Inspire ‘Consumption’ Paintings”, Northwestern University News Center, February 10, 2012. Review by Judy Moore, Evanston, IL, 2012, (inclusion: one color image)

“UICA features collages by Alisa Henriquez in current exhibit ‘Woman I’ “, M Live Media Group, December 28, 2011. Review by Kristin Austin, Grand Rapids, MI, 2011 

Drawing Resurfaced: National Contemporary Drawing Exhibition, Exhibition Catalogue,

Purdue University, West Lafayette, IN, Essay by Craig Martin, Director, Purdue University Galleries, 2011 (inclusion: one color plate)

“International Painting Annual 1”, Manifest Press, Cincinnati, OH, Essays by Jason Franz, Executive Director and Chief Curator and Tim Parsley, Associate Director, 2011 (inclusion in book: two color plates)

“Extremes at the Gallery Project: Now You See Them, Now You Don’t, and Visa Versa”. Review by Jennifer Metsker, Independent Arts Writer, Ann Arbor, MI, 2011

Seventy-Fifth National Midyear Exhibition, Exhibition Catalogue, Butler Institute of American Art, Youngstown, OH, 2011 (inclusion: one color plate)

Drawing in The Expanded Field, On Line Exhibition Catalogue, Hatton Gallery, Colorado State University, Fort Collin, CO. Essay by Mary-Ann Kokoska, Exhibition Coordinator, Associate Professor, Drawing Area, Colorado State University, 2010

“Manifest Guidebook: works of collage and assemblage”, Volume 45, Manifest Press, Cincinnati, OH, 2010 (inclusion: two color plates)

“Research at Michigan State University 2007 Calendar”, Michigan Sate University, East Lansing, MI, 2007 (inclusion: color image and artist statement)

“A ‘Flattened’ Look at Abstract Art”, The Evanston Review, February 2006, Evanston, IL, Review by Myrna Petlicki, 2006

“Flattened”, Evanston Art Center, Evanston, IL, Curatorial Statement by John Brunetti, 2005

"District Look Back", Deroitarts, May 9 2005, http://detroitarts.blogspot.com/2005/05/district-lookback.html

“District Arts: Henriquez and De Giusti”, thedetroiter.com, Review by Nick Sousanis, Detroit, MI, 2005

“Multi-Part Pieces”, Detroit Jewish News, May 2001, Review by Suzanne Chessler, Detroit, MI, 2001

“Innovation and Old Friends”, City Pulse, Review by Amanda Tigner, East Lansing, MI, 2004

“Pop Art and the Look of Liberation”, The Times-Union, Jacksonville, FL, Review by Yvette M. Yee, 2002    

The Consuming Image: New Painterly Pop, Exhibition Catalogue, Jacksonville Museum of Modern Art, Jacksonville, FL, Essay by George Kinghorn, Curator, Jacksonville Museum of Modern Art, 2002 (inclusion: two color plates)

October International Competition, Exhibition Catalogue, The Armory Art Center, West Palm Beach, FL, 2001 (inclusion: color plate and bio)

“New American Paintings”, Midwest, Volume 29, The Open Studio Press, Boston, MA. Essay by Joan

Rothfuss, Associate Curator, Walker Art Center, 2000 (inclusion: three color plates, CV and artist statement)

“Chicago Artists '97”, New Art Examiner, October 1997, Chicago, IL, Review by Maria Jose Barandiaran, 1997

“Four Women Express Life in Buckham Show”, The Flint Journal, October 1996, Flint, MI, Review by Mary Ellen Zang, 1996

“Emison Art Exhibit”, Depauw Notes, Depauw University, Greencastle, IN, 1996

t e a c h i n g

Professor, Michigan State University, East Lansing, MI, 2016-present

v i s i t i n g   a r t i s t   p o s i t i o n s   +   p a n e l s


Stamps School of Art & Design, University of Michigan, Ann Arbor, MI
The McDonough Museum of Art, Youngstown, OH
Meyers Lecture Series, University of Akron, Akron, OH
University of Notre Dame, Notre Dame, IN
West Virginia University, Morgantown, WV
University of Washington, Seattle, WA
Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI
Elon University, Elon, NC
Urban Institute of Contemporary Art, Grand Rapids, MI               
Rhode Island School of Design, Providence, RI
Depauw University, Greencastle, IN
School of Art and Design, Alfred University, Alfred, NY
State University of New York, University of Buffalo, Buffalo, NY
Drury College, Springfield, MO
William Woods College, Fulton, MO

f e l l o w s h i p s   |   g r a n t s    |   a w a r d s    ( select )


“History Reimagined: Abstracting Constructed Identity”, HARP Development Grant, Michigan State University, East Lansing, MI, 2023

Special Travel Fund Award, Department of Art, Art History and Design, Michigan State University, East Lansing MI, 2016

“Makeover Culture Disfigured: A Series of Assemblages”, HARP Development Grant, Michigan State University, East Lansing, MI, 2016 

Purchase Award, South Bend Museum of Art, South Bend, IN, 2015

Director’s Choice Award, 2012 Mid-American College Art Association Members Juried Exhibition, Elaine L. Jacob Gallery, Wayne State University, Detroit, MI, 2012

“Consumption: A Series of Paintings”, HARP Development Grant, Michigan State University, 2011 

“Constructed Reality: A Series of Abstract Paintings”, Research Enhancement Grant, College of Arts and Letters, Michigan State University, 2006 

“Encoded Patterns: A Series of Paintings”, Intramural Research Grant, Michigan State University, 2003 

Travel Awards, Department of Art, Michigan State University, East Lansing, MI, 2000 -1999

Canadian Studies Grant, Michigan State University, East Lansing, MI, 2000

Intramural Research Grant, Michigan State University, 1999

Dean's Travel Award, College of Arts and Letters, Michigan State University, 1998 

All-University Research Grant, College of Arts and Letters, Michigan State University, 1997

Teaching Assistantship, Indiana University Florence, Italy Summer Program, Indiana University, Bloomington, IN, 1993

Best of Show Award, Painting and Drawing Exhibition, Jordan Creek Art Gallery, Springfield, MO, 1998

Ellen Battel Stoeckel Fellowship, Yale Summer School of Music and Art, Norfolk, CT, 1987

British Columbia Cultural Grant, Vancouver, BC, Canada, 1985,1986,1987

Sections